The final installment in Glen Cook’s The Chronicles of the Black Company which are also known by the moniker ‘The Books of the North’ in the greater chronology of his Black Company series, The White Rose is very much unlike any finale that I’ve read to date. I shouldn’t be surprised because, if you’ve read my reviews of the previous novels The Black Company and Shadows Linger, then it’s obvious by now that Glen Cook knows how to weave a unique tale that simultaneously embraces and eschews the fantasy norms.
The White Rose resumes about four years after the conclusion of Shadows Linger and the ragged dregs of the Black Company have retreated to the Plain of Fear, a wild region of the world where windwhales and change storms sweep the coral-covered desert. After suffering the Black Company’s betrayal at Juniper, the Lady is tightening the noose around them on the Plain. Darling, the girl around whom magic ceases to work, is plotting the downfall of the Lady and her northern Empire when a familiar shadow casts itself across the north: the Dominator.
One of my few issues with this book is that the story comes dangerously close to be an almost exact retread of the plot from the second book. In The White Rose, our protagonists and antagonists find themselves at odds with one another but must band together, setting aside their personal differences temporarily, in order to subdue the greater evil. What The White Rose boasts that Shadows Linger never managed to accomplished, and luckily elevates it therein, is a more mythic feel that arises from the fantastic locations in which it is set. The Plain of Fear and the Barrowlands, bought lively and monstrous in their own ways, are so integral to the plot of the novel that they almost become their own characters respectively.
Another great feat is the continued humanization of the Lady. Cook, through Croaker, really takes to task the notion of good and evil. Through the Lady, readers are asked to consider the idea that people can do terrible things in the pursuit of a higher goal and, therefore, not necessarily be evil. The Lady has massacred hundreds of thousands in her effort to maintain power and, just as willingly, sacrifices even more to secure the world from the return of her malevolent husband. Darling is another unique break from the status quo because she projects a null, a field in which magic can’t work. Therefore, any lasting resolution to the question of the Lady and the Dominator will almost certainly involve her specifically for practical, if not prophetic, reasons.
Cook lines up the many displaced pieces of his story to tell the story of what must be done for the greater good, even if the resolution is far from whatever happy ending readers might feel entitled do. In essence, The White Rose is about people doing the work that needs to be done—fantastic, realistic, good, or bad.
Generally, I’m wary when recommending series. Typically, they require an investment with little promise of a worthy return. I can safely say that The Chronicles of the Black Company, the compendium volume that includes The Black Company, Shadows Linger, and The White Rose, is certainly worth the time of any reader looking for a series that will refresh their appreciation for the genre.
UP NEXT: A review of “Leviathan Wakes” by James S.A. Corey!