Book Review: The Rook

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When Myfanwy Thomas wakes up in the rain bruised and battered but—most importantly—amnesiac, she is thrust into the supernatural underbelly of modern day Britain.

Rarely, oh so rarely, does a novel as engaging and thrilling as The Rook come across my desk. This is one of those precious urban fantasy novels whose conceit simply works right from the start. From the first page to the last, Daniel O’Malley utterly envelops the reader into the most believable of unbelievable notions: that an organization called the Checquy Group monitors and covers-up the supernatural activities in the UK and that Myfanwy Thomas, the unsuspecting bureaucrat, has been drawn into a brutal power-struggle. O’Malley treats his world, where possessed houses gobble people up and the ‘powered’ individuals of the Checquy are given chess-related titles (hence the title), with equal parts gleeful joviality and soberingly pensive moments.

The Rook tackles a variety of themes ranging from what constitutes a personality to the nature of equality and Rook Thomas takes point in these spirited debates. I found that the informal tone of the book added depth to it; enriched by the often times bizarre gifts that O’Malley imbues the staffers of the Checquy Group with—a team of doctors actually licks the protagonist thoroughly at one point! But The Rook, for its many foibles and irreverent references, always plays with a central question of the nature of power: who wields it, who doesn’t, and whether that’s reality or a fantasy in itself.

As far as urban fantasy goes, which can be done poorly as often as it done well, The Rook exceeds where others have failed namely by maintaining the veil of secrecy that separates the supernatural realm from the mortal realm. The Checquy Group act as the judge, jury, and executioners in all magical affairs in their effort to maintain strict secrecy. This element of secrecy really helps the book excel as a whole and reinforces why urban fantasy exists as a genre: we want to believe that there are dark and terrible things on the fringes of reality and The Rook delivers upon that notion in droves.

It’s with rabid enthusiasm that I recommend Daniel O’Malley’s The Rook to anyone looking for a great read. And if this review wasn’t enough to sell you on the book, then the duck that can tell the future should definitely do the trick…

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At 11:36pm on Monday…

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At 11:36pm on Monday, September 2 2013, I completed the rough draft of my second full-length novel. It is, preliminarily, 211,722 words and numbers 388 pages on 8.5 by 11 inch pages set to a single-space lining. It’s hard to say exactly what I’m feeling, though relief and satisfaction (joy, maybe?) would be the obvious contenders. There’s so much work ahead but the difficult part, and the most enjoyable for that matter, are behind me. Editing is upon me, and I know I don’t fully comprehend what I’ve accomplished, but I am definitely…pleased.

Book Review: The Long Earth

The Long Earth
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Prior to reading THE LONG EARTH, I had never read a book written (in part or in whole) by Terry Pratchett. His joint effort with Stephen Baxter, the first novel in a three-part series, proved to be my first exodus with these authors. I’m always entertained by non-natives writing foreign characters and in this case knowing that Pratchett and Baxter are British made me particularly interested to see the results of their labor.

The Long Earth

As a novel that blends comedy, pseudo-science, and pioneer adventurism The Long Earth is, perhaps, the strangest book that I’ve read in a long time. It is a mixture of at least four genres that produces, maybe not too surprisingly, an equally strange novel. Almost two weeks after I finished The Long Earth I’m still grappling with my final impression of the book but, before we get to that, I want to outline the novel itself.

In the very near future, the instructions for a device called a stepper are uploaded to the internet. It is easy to assemble and the lone button on a stepper can be switched to east, off, or west. As thousands of children discover on what is later named Step Day, switching the button east or west moves you one parallel world in that direction.

Stepper-Diagram

Overnight, a new era of exploration is born. Only certain people and certain objects can step and what follows Step Day is a second age of pioneering. Thirteen years later, a man called Joshua is asked by a soda machine to go exploring these alternate Earths in search of answers.

And that all happens within the first fifty pages. Going back to my impressions, I’m pretty sure I liked the book. It’s fun and humorous at times, and Joshua Valiente is an extremely well-developed protagonist that I mostly approve of. The book’s breakout character, of course, is Lobsang the AI who moves from machine to machine as needed. He’s clever and witty and the inclusion of a non-human character allows the novel to inquire on the human condition but it never quite escapes the gimmicky feeling that stitches the book together.

Boy, does it wander. Not that wandering is a bad thing since this is, at its heart, a novel about a journey with no destination. Books, however, have an end and so when The Long Earth begins the rushed approach to its own ending the experience is rushed and disconnected; surreal but relevant in a strange way. The Long Earth owns a cool premise that it loses sight of on its way to the next sequel. Not quite a disappointment, but not quite spectacular either.

The best way I can phrase it is that I’m glad I picked up the book and I did enjoy it, but not enough to run out and buy book two. Baxter, who I’m led to believe did a majority of the writing, did it well, though British mannerism and expressions sneak into the dialogue and most of the police jargon is lifted from an episode of Law & Order.  Ultimately, what concerns me about The Long Earth is a theme it revisits numerous times: emptiness.

The Long Earth, the expression for the infinite number of parallel Earths that are “east” and “west” of our own, is vast but empty. Unfortunately, so is THE LONG EARTH itself.

Book Review: The Graveyard Book

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THE GRAVEYARD BOOK by Neil Gaiman was recommended to me last Christmas by an individual that I thought least likely to ever recommend any type of fantasy literature. That person raved and raved about it and then went on to teach me a lesson in stereotypes by outlining their other favorite fantasy novels, but I started with Neil Gaiman’s phenomenal novel, The Graveyard Book.

THE GRAVEYARD BOOK BY NEIL GAIMAN

THE GRAVEYARD BOOK BY NEIL GAIMAN

I have to admit that this was my first ever Gaiman novel, though I knew the author’s name because I saw the movie version of STARDUST some years ago. I enjoyed STARDUST and promised myself that I would one day read the book, but while I never made the time for that I squeezed in the episode of DOCTOR WHO written by Gaiman, “THE DOCTOR’S WIFE”, and I was very impressed. Since then, I’ve had a strange fringe-relationship with Gaiman where I’m familiar-ish with the author despite never having technically ‘read‘ a word of his writing. When The Graveyard Book came to me so highly recommended from a person that I deeply respect, I picked it up without a moment’s delay.

THE GRAVEYARD BOOK is, perhaps, one of the most difficult books to adequately review that I’ve ever encountered. It is one of those rare novels that examines the most valuable question that anyone has ever asked: what’s the purpose of life? The novel follows Bod Owens, a toddler who has escaped a dark fate and is taken in, quite literally, by the nearby graveyard and the phantoms that inhabit it. Its ghosts and tombs and natural beauty become the little boy’s home and there he grows up, all the while learning more about the world he must be protected from, until the day when the dangers of his past catch up with him.

But do you want to know the truth? That might be what this book is about, but really it’s not about that at all. Gaiman is telling a personal, intimate story in this book. Not about himself, not necessarily, but certainly about everyone. This is a story about death, about growing up and growing old, and about Life.

I’ve read some of the most stirring passages that I’ve ever encountered in my career as a reader within this novel. I love that it’s a children’s book that is still so dangerously adult. I love that I honestly wanted to cry at the end of this book—not manly, crocodile tears but little kid tears.

That, I think, is what The Graveyard Book is about.

Book Review: The Affinity Bridge

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The Affinity Bridge, by George Mann, was another one in the pile of books that I purchased as a birthday gift to myself. I know they say to never judge a book by it’s cover, but Mann’s cover certainly didn’t dissuade me from purchasing his novel. I am a fan of anything that flies in literature—private planes, jumbo jets, airships—for the practical utility they offer. So fast! So convenient! Mann’s cover then, an enormous airship above Victorian-Era London, sang to me in several ways.

Newbury and Hobbes, the novel’s protagonists, are academics; researchers employed by the British Museum as a cover for their other job as Crown investigators for Queen Victoria. In this fictional steampunk England, Sir Maurice Newbury (think Holmes!) and his assistant Veronica Hobbes (elementary, dear Watson!) are attempting to solve the riddle of a string of murders when an airship crash in London diverts their attention elsewhere. What follows is a brisk story of industrial intrigue, precision investigations, and appropriately romping action.

One of my more marked appreciations for this novel is perhaps the one that is most forward-thinking: Mann spins the trope of the helpless, witless assistant on its head. When it comes to endangered protagonists, I would argue that Hobbes does more of the saving than being saved; and true, Hobbes bumps into sexism on occasion, but Newbury insists on treating her as a fully capable equal. And, repeatedly, he is proven right when Hobbes is daringly more functional than he on occasion!

Beyond that, the plot isn’t terribly thick. Queen Victoria is strangely interested in a civilian airship crash; paupers are being murdered by a “glowing policeman” and the two main characters have private matters to contend with along the way but Mann’s triumph here is the creation of a gripping alternate 1901 London. A London where technological revolution has placed clockwork men on the streets and airships high above. In a very noticeable way London 1901 is the third protagonist of this novel and any reader who appreciates a good detective story and Victorian-London to boot are certain to enjoy themselves.

The novel’s cover declares itself to be “A Newbury and Hobbes Investigation” which, if intuition serves, would indicate that there are more on the way. And, if that isn’t enough, Mann sets the stage for future work with a phenomenal epilogue! Here’s to more “investigations!”

UPDATE: A quick jaunt around George Mann’s blog reveals that, in fact, there are multiple sequels  to THE AFFINITY BRIDGE (which was published in 2009—where have I been?!) which I must now, delightedly, purchase!

1,000 Downloads

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I have some exciting news to share with anybody that’s still interested! In early September, after downloads had flatlined around 40 on Kindle and on around 40 on iBooks, I dropped the price of Someone to Remember Me to free just for the hell of it. In my mind, it couldn’t hurt since nobody was downloading the book anyways. I thought there’d be a modest bump in downloads, but Someone to Remember Me instead crossed the one thousand download mark in October on Amazon’s Kindle Store and has pushed further north into the realm of 1,400 downloads as of today.

So that’s really cool in and of itself. It’s mind-boggling to think that 1,400 people have their hands on my writing. I have an exciting update planned for Someone to Remember Me, and when I’ve finalized the details I’ll post more about it here. If you haven’t already, be sure to re-download your copy to receive the updates and corrections I posted back in April.

Thanks again for your support and stay tuned for some exciting news. If you haven’t downloaded Someone to Remember Me, please click here.