In today’s world of graphic design, social media, and instant gratification, I think that you can, increasingly, judge a book by its cover. Of course, that’s not always true and it never stops sounding terrible to say aloud, but I’d be lying if I said that at least some of my purchases aren’t predicated on the quality of the cover design.
Vanity, more than anything, drew me to Leviathan Wakes, the first novel in James S.A. Corey’s The Expanse series. That, and it also has a kickass first sentence—which is another silly habit of mine that I tend to judge books on. I rarely venture into science fiction (for fear of there being too much science and not enough fiction, if you will) but Corey won me over in a quick blitz.
Leviathan Wakes is set several hundred years in the future where a technological wonder called the Epstein Drive allowed the ancestors of protagonists Jim Holden and Josephus Miller to settle Mars, the Asteroid Belt, and the Outer Planets. It’s a curiously limited advancement: Sol belongs to humanity but the stars remain well out of reach. As politics, revolutions, and vendettas threaten to tear the system apart a great conspiracy unfolds unlike any humanity has ever seen before.
I was thrilled by Leviathan Wakes because of the perfect balance it strikes between science and fiction. Corey’s future tries to stay as connected to reality and the laws of physics as possible, but the book remains accessible throughout. I’m reminded of another book that I read, 2312, which is premised on a similar concept but overwhelms the reader with hard science and pages on pages of technical descriptions that overload the plot.
Returning to Leviathan Wakes, readers are treated to hodgepodge cultures of the Belt, Earth, and Mars. While Jim is scouring the system in search of clues to identify the destroyers of his ship and crew, Miller is searching for a missing girl who is, somehow, at the center of it all. Security corporations run amok, United Nations black-ops teams, and Martian warships each make appearances that contribute to Leviathan Wakes being one of the most enjoyable and well-written space operas that I’ve ever read.
This first book in The Expanse series is a standalone novel, meaning that what you read is what you get. Corey has published three other novels, Abaddon’s Gate, Caliban’s War, and Cibola Burn as well as two smaller novels The Butcher of Anderson Station and Gods of Risk. I’m certain that I’ll return to this series in time, but it’s rare to encounter an excellent first-book that stands mightily on its own two feet as Leviathan Wakes does, and so I recommend it highly.
UP NEXT: A review of “The Bright of the Sky” by Kay Kenyon!